I’m a designer from Alexandria, Virginia, shaped by a woman who created quietly, powerfully, and mostly unseen.

My mother is a fine artist. She worked with discarded glass, worn leather, mended fabric, and shaped metal—transforming fragments into permanence. Her mosaic work became a language of finding beauty in what others deemed useless.

“Re-Find” carries that strength forward. Just as she reassembled discarded materials, this collection reimagines her story, and the stories of women artists whose work has been dismissed as “craft.”

These are not accessories—they are wearable sculptures. Built from glass, leather, and repurposed metals, they preserve memory, honor labor, and restore overlooked beauty.

The name Re-Find asks: What does it mean to find something again, with new eyes?

This is a story of craft as legacy. A love letter. A protest. A proposal for a future where preservation is power, and the most powerful designs are the ones that remember.